Brooks Outside: RedBall MemphisBrooks Outside: RedBall Memphis
Photograph: Brit Worgan ©RedBall Project

April 28, 2016 – May 7, 2016

Brooks Outside: RedBall Memphis

“On behalf of the Brooks, I’m proud to announce RedBall Project as our gift, on our hundredth birthday, to the city of Memphis,” said Emily Ballew Neff, Ph.D., executive director of the Brooks Museum.

As part of the museum’s centennial, New York artist Kurt Perschke will bring his world-traveled RedBall Project to Memphis April 28 – May 7. During its performance run in Memphis this fun and provocative installation will be strategically placed in ten different sites in the city, personally selected by Perschke during his visit to Memphis in December 2015.  #redballproject

RedBall Memphis Locations | 11 am - 6 pm, each day

Thursday, April 28 - Memphis Brooks Museum of Art plaza
Friday, April 29 - New Daisy Theatre, 330 Beale St.
Saturday, April 30 - Beale Street Landing, 251 Riverside Dr.
Sunday, May 1 - 409 S. Main St.
Monday, May 2 - University of Tennessee-HSC, Student Alumni Center, 800 Madison Ave.
Tuesday, May 3 - Barboro Alley, Front St. between Union and Gayoso
Wednesday May 4 - Memphis College of Art, in Overton Park
Thursday, May 5 - Hattiloo Theatre, 37 S. Cooper St.
Friday, May 6 - Stax Museum of American Soul Music, 926 E. McLemore Ave.
Saturday, May 7 - Memphis Brooks Museum of Art, 1916 Entrance, during Party for the Century

Perschke uses RedBall Project to encourage exploring each city’s unique architectural landscape and history. By squeezing the installation between buildings and hoisting it over pedestrians’ heads the ball punctuates overlooked spaces.

“On the surface, the experience seems to be about the ball itself as an object,” said Perschke, “but the true power of the project is what it can create for those who can experience it. It opens a doorway to imagine ‘what if?'"

Click here for the official RedBallProject.com website.

#myrbmemphis Instagram Contest - Win Artsy Stuff!

Use #myrbmemphis on your RedBall photos for cool prizes like: Official RedBall Prints and Brooks Museum Memberships.

Grand Prize includes Annual VIP Film Passes and a print signed by the artist from all available Official RedBall Prints. Winners announced throughout the performance on Friday, April 29; Wednesday, May 4; Friday, May 6; Monday, May 9; and the Grand Prize Winner on Tuesday, May 10. Follow @redballproject and @brooksmuseum on Instagram and see the contest's full details on the contest page starting April 28.

RedBall Project is the inaugural exhibition for Brooks Outside, a new program for the Brooks, which will enliven and invigorate Brooks Museum grounds, Overton Park, or sites around the community. Each has been chosen to offer meaningful experiences, to extend community goodwill, and to generate discussions about art in general.

Below:

Photograph: Brit Worgan ©RedBall Project

Photograph: Tom Martin ©RedBall Project

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Resources

The 901 Black American Portraits Soundtrack

The 901 Black American Portraits Soundtrack

Listen to a soundtrack of Memphis music that exemplifies Black Love, Power, and Joy. The 901 Black American Portraits Soundtrack celebrates the vibrant legacy and future of Black musicians in the city of Memphis. This playlist was curated by Jared “Jay B” Boyd, a Memphis-based multimedia artist, journalist, DJ, and on-air personality.

Listen Now

MCA Exhibition Questionnaire

MCA Exhibition Questionnaire

Help us generate the fullest picture possible of the MCA experience.
Submitting a questionnaire, which includes a request for an image of an artwork, is essential to be considered for part of the exhibition.

Why Have There Been No Great Women Artists?

Why Have There Been No Great Women Artists?

The American art theorist Linda Nochlin (1931-2017) posed this question as the title of a pioneering article in 1971. This essay was considered one of the first major works of Feminist art history, it has become a set text for those who study art internationally, and it is influential in many other fields.

Why Have There Been No Great Women Artists? by Linda Nochlin