March 19, 2025 - September 7, 2025
Calida Rawles: Away with the Tides
In her first solo museum presentation, Calida Rawles envisions water as a space for Black healing. Merging hyperrealism, poetic abstraction, and water's cultural and historical symbolisms, Rawles creates unique portraits of Black bodies submerged in and interacting with bright and mysterious bodies of water. The water, a sort of character within the paintings, is embodied as a vital, organic, multifaceted material and historically charged space that signifies historical trauma and racial exclusion but also physical and spiritual healing.
In this body of work, Rawles depicts members of Miami’s historically Black Overtown, a neighborhood that went from a thriving cultural and commercial hub for Black people to a community dismantled by gentrification, systemic racism, and mass displacement. Rawles partnered with members of this community and worked with them as models. In this series, Rawles takes her practice further by photographing some of her subjects in natural waters for the first time at the historic Virginia Key Beach, which was once racially segregated. By photographing Black subjects in the ocean for the first time, Rawles probes the Atlantic’s history as the site of the supremely exploitative transatlantic slave trade. The finished works critically engage with the water-entwined climate and mine the history of beauty, oppression, and resilience in the Overtown community and the diaspora.
Calida Rawles: Away with the Tides is organized by Pérez Art Museum Miami and curated by Maritza M. Lacayo, Associate Curator, with the support of Fabiana A. Sotillo, Curatorial Assistant. It is organized at the Memphis Brooks Museum of Art by C. Rose Smith, Assistant Curator of Photography.
Presented by
All exhibitions at the Memphis Brooks Museum of Art are underwritten by the MBMA Exhibition Fund.
Major annual support is provided by Kay Clark and Maggie and Milton Lovell, with generous annual funding from Anonymous, Gloria and Kenneth Boyland, Holly and Paul T. Combs, Deborah and Bob Craddock, Michael and Maria Douglass, Eleanor and William Halliday, Debi and Galen Havner, Buzzy Hussey and Hal Brunt, Jay and Kristen Keegan, the Doris S. and Hubert Kiersky Charitable Remainder Trust, Carl and Valerie Person, and Bill Townsend.
Exhibition Programs
Artist
Curators
Artist
Calida Rawles
Rawles (b. 1976, Wilmington, Delaware; lives in Los Angeles) received a B.A. from Spelman College, Atlanta, Georgia, and an M.A. from New York University. She has had solo exhibitions at Lehmann Maupin, New York; Various Small Fires, Los Angeles; and Standard Vision, Los Angeles. Her work has been featured in group exhibitions, including the 12th Berlin Biennale for Contemporary Art, Berlin; Los Angeles County Museum of Art (LACMA); Walter Maciel Gallery, Los Angeles; LACMA9 Art + Film Lab, Inglewood, California; Rush Arts Gallery, New York, among others. Rawles created the cover art for Ta-Nehisi Coates’s novel, The Water Dancer, and her work is in numerous public and private collections, including the Dallas Museum of Art; Los Angeles County Museum of Art; Pérez Art Museum Miami; and Studio Museum in Harlem, New York.
Calida Rawles in her studio, 2023
Photo by Marten Elder
Courtesy the artist and Lehmann Maupin, New York, Seoul, and London.
Calida Rawles
Rawles (b. 1976, Wilmington, Delaware; lives in Los Angeles) received a B.A. from Spelman College, Atlanta, Georgia, and an M.A. from New York University. She has had solo exhibitions at Lehmann Maupin, New York; Various Small Fires, Los Angeles; and Standard Vision, Los Angeles. Her work has been featured in group exhibitions, including the 12th Berlin Biennale for Contemporary Art, Berlin; Los Angeles County Museum of Art (LACMA); Walter Maciel Gallery, Los Angeles; LACMA9 Art + Film Lab, Inglewood, California; Rush Arts Gallery, New York, among others. Rawles created the cover art for Ta-Nehisi Coates’s novel, The Water Dancer, and her work is in numerous public and private collections, including the Dallas Museum of Art; Los Angeles County Museum of Art; Pérez Art Museum Miami; and Studio Museum in Harlem, New York.
Calida Rawles in her studio, 2023
Photo by Marten Elder
Courtesy the artist and Lehmann Maupin, New York, Seoul, and London.
Program Recordings
Resources
The 901 Black American Portraits Soundtrack
Listen to a soundtrack of Memphis music that exemplifies Black Love, Power, and Joy. The 901 Black American Portraits Soundtrack celebrates the vibrant legacy and future of Black musicians in the city of Memphis. This playlist was curated by Jared “Jay B” Boyd, a Memphis-based multimedia artist, journalist, DJ, and on-air personality.
MCA Exhibition Questionnaire
Help us generate the fullest picture possible of the MCA experience.
Submitting a questionnaire, which includes a request for an image of an artwork, is essential to be considered for part of the exhibition.
Why Have There Been No Great Women Artists?
The American art theorist Linda Nochlin (1931-2017) posed this question as the title of a pioneering article in 1971. This essay was considered one of the first major works of Feminist art history, it has become a set text for those who study art internationally, and it is influential in many other fields.