Of Salt and Spirit: Black Quilters in the American South Of Salt and Spirit: Black Quilters in the American South
Roland L. Freeman (1936–2023), Catherine Gill, Classy Blaylock, Decatur, MS, 1993. Color print, 24 in. x 36 ½ inches. Collection of the Mississippi Museum of Art, Jackson, Gift of the Kohler Foundation, Inc., 2022.9.162. Photo: Gib Ford

October 2025 to January 2026

Of Salt and Spirit: Black Quilters in the American South

Over the past twenty years, the Mississippi Museum of Art has amassed one of the largest quilt collections in the American South. This exhibition will feature highlights of handmade and machine-stitched quilts by renowned Black southern quiltmakers from the MMA’s collection, including Crossroads Quilters, Gwendolyn Magee, and several gifted by American photographer and quilt collector Roland L. Freeman on his travels.  

Curated by Dr. Sharbreon Plummer, this exhibition and the accompanying publication seek to illuminate the processes and practices of Black Southern quilters while celebrating the enduring impact of quilting on communities and generations.

Exhibition Programs

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Resources

The 901 Black American Portraits Soundtrack

The 901 Black American Portraits Soundtrack

Listen to a soundtrack of Memphis music that exemplifies Black Love, Power, and Joy. The 901 Black American Portraits Soundtrack celebrates the vibrant legacy and future of Black musicians in the city of Memphis. This playlist was curated by Jared “Jay B” Boyd, a Memphis-based multimedia artist, journalist, DJ, and on-air personality.

Listen Now

MCA Exhibition Questionnaire

MCA Exhibition Questionnaire

Help us generate the fullest picture possible of the MCA experience.
Submitting a questionnaire, which includes a request for an image of an artwork, is essential to be considered for part of the exhibition.

Why Have There Been No Great Women Artists?

Why Have There Been No Great Women Artists?

The American art theorist Linda Nochlin (1931-2017) posed this question as the title of a pioneering article in 1971. This essay was considered one of the first major works of Feminist art history, it has become a set text for those who study art internationally, and it is influential in many other fields.

Why Have There Been No Great Women Artists? by Linda Nochlin
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