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An extensive gift of artists’ books, given in 1990 by collectors Isabel Ehrlich and Charles F. Goodman, forms the nucleus of this collection, which consists primarily of 20th-century editions. Some are the result of collaboration between an artist and a writer, such as Pablo Picasso and Yvan Goll, while others represent the cooperative efforts of many individuals such as 1¢ Life by Walasse Ting, which has 28 contributing artists. Among some of the recent acquisitions are The Vitreous Body by Kiki Smith, Paper Snake by Ray Johnson, and Such Things I Do to Make Myself More Attractive to You by Terence Koh. Many of these volumes include original graphics and handmade papers.
Unlike an art book, catalog or monograph that tend to showcase artworks created in another medium, the term ‘artists’ books’ refers to publications that have been conceived as artworks in their own right. These ‘projects for the page’ are generally inexpensive, often produced in large or open editions, and are democratically available.
The book is a medium that allows an artist’s work to be accessible to a multitude of people in different locations at any given time. The more copies produced the more widely the work can be distributed; it is this potential to reach a larger audience that lends the book its social qualities and increases it’s political possibilities. In this way, the artists’ book can be an incredibly powerful communicative force.
Due South: Ke Francis and Hoopsnake Press is built around seven of Ke Francis’ books that exemplify his work as a narrative artist living and working in the South.
Learn MoreDue South: Ke Francis and Hoopsnake Press is built around seven of Ke Francis’ books that exemplify his work as a narrative artist living and working in the South.
Learn MoreDue South: Ke Francis and Hoopsnake Press is built around seven of Ke Francis’ books that exemplify his work as a narrative artist living and working in the South.
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