Galleries + Permanent Collections

Permanent Collection

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Learn more about the different gallery spaces and permanent collections at the Memphis Brooks Museum of Art.

View our galleries and permanent collections

Part II: December 11, 2024 – April 28, 2025

Thomas Jackson: Chaotic Equilibrium

Pennsylvania-based artist Thomas Jackson (b. 1971, Philadelphia) harnesses the windto create ethereal works that blur the boundaries between landscape photography,sculpture, and kinetic art.

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Thomas Jackson, Tulle no. 045, Nantucket, Massachusetts, 2022
Thomas Jackson, Tulle no. 045, Nantucket, Massachusetts, 2022

November 22, 2024 - January 2025

Starry, Starry, Winter Garden

For the museum’s inaugural Winter Art Garden, Memphis-based artist Greely Myatt uses found objects including metal scraps, neon, and discarded signage to create Starry, Starry – an illuminated starscape on the museum’s plaza. Teasing the boundaries of sculpture through the use of flat forms, Myatt ponders and plays with line and light.

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Big Star, 2023. Photography by Selavie Photography
Big Star, 2023. Photography by Selavie Photography

Part I: September 20 - December 15, 2024 | Part II: December 20, 2024 - April 6 2025

Beyond the Surface: The Art of Handmade Paper

More than just a surface on which to paint, draw, or sketch, paper can be a dynamic art form that encourages collaboration and welcomes spontaneity. 'Beyond the Surface: The Art of Handmade Paper' explores the shape-shifting quality of paper—how it can transform from pulpy fiber into vibrant works of art through hand papermaking.

More than just a surface on which to paint, draw, or sketch, paper can be a dynamic art form that encourages collaboration and welcomes spontaneity. 'Beyond the Surface: The Art of Handmade Paper' explores the shape-shifting quality of paper—how it can transform from pulpy fiber into vibrant works of art through hand papermaking.

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Beth Campbell, 'Endless Outcomes', 2017. Abaca, pigmented linen and cotton on handmade paper, 18 x 14 3/4 in. (45.7 x 37.5 cm). Gift of Dieu Donné, New York in honor of Nancy and Edwin Barnett.
Beth Campbell, 'Endless Outcomes', 2017. Abaca, pigmented linen and cotton on handmade paper, 18 x 14 3/4 in. (45.7 x 37.5 cm). Gift of Dieu Donné, New York in honor of Nancy and Edwin Barnett.

September 2024 - January 2025

Andrea Morales: Roll Down Like Water

'Roll Down Like Water' features sixty-five photographs spanning a decade of work by the Memphis-based, Peruvian-American photographer Andrea Morales. Through her captivating images of the South in moments of turbulence, stillness, darkness, and beauty, Morales charts new paths in sustainable journalism, while reflecting upon identity, community, and the power of storytelling.

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Andrea Morales, Kaylin McCain and Jakayla Davis wait for their grandmother to sign up for the Affordable Care Act at Impact Baptist Church in Frayser, a Memphis, Tennessee, neighborhood, in February 2015.
Andrea Morales, Kaylin McCain and Jakayla Davis wait for their grandmother to sign up for the Affordable Care Act at Impact Baptist Church in Frayser, a Memphis, Tennessee, neighborhood, in February 2015.

Ongoing

In the Moment: Art from the 1950s to Now

Contemporary art can capture the political and cultural essence of our time while contemplating and transcending our everyday realities. As time passes, this art connects us with the defining spirit of an era, becoming a visual record of a moment.

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Rashid Johnson, 'Seascape "Milestones"', 2022 Oil on linen; 95 × 122 in. From the collection of Pitt and Barbara Hyde
Rashid Johnson, 'Seascape "Milestones"', 2022 Oil on linen; 95 × 122 in. From the collection of Pitt and Barbara Hyde

Ongoing

Memphis on the Mississippi (Ode to Tom Lee)

To further build Memphis' Art Collection, the Brooks has commissioned the Memphis-based artist Carl E. Moore to create a work inspired by our soon-to-be new location Downtown on the banks of the Mississippi River.

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Carl E. Moore, 'Memphis on the Mississippi (Ode to Tom Lee)', 2022. Acrylic on canvas.
Carl E. Moore, 'Memphis on the Mississippi (Ode to Tom Lee)', 2022. Acrylic on canvas.

Ongoing

Art of the African Diaspora

As conversations around the African Diaspora shift and evolve, so too will this display, aided by the museum actively acquiring works that reflect these varied, global experiences.

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Ongoing

Power and Absence

This reimagining of the Schilling Gallery explores the representation of women in Europe from around 1500 to 1680, known as the Renaissance and Early Baroque period. Most of the works in this room have been made by men.

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Sofonisba Anguissola, 'Self-Portrait', 1560, oil on wood panel, Memphis Park Commission Purchase, 43.11
Sofonisba Anguissola, 'Self-Portrait', 1560, oil on wood panel, Memphis Park Commission Purchase, 43.11
No exhibitions were found

February 4 - May 15

Andy Warhol: Silver Clouds

Created in 1966, Warhol’s Silver Clouds consists of a room full of floating metallic balloons. The balloons are inflated with a proprietary mixture of air and pure helium, enabling them to float mesmerizingly in the space between the floor and the ceiling.

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Silver Clouds, 1966. Andy Warhol, Mixed Media Installation.
Silver Clouds, 1966. Andy Warhol, Mixed Media Installation.

February 4 - May 15, 2022

Andy Warhol: Little Red Book

The decidedly unglamorous snapshots of everyday life contained in the Little Red Books demonstrate Warhol’s compulsive desire to capture, collect, and organize his world.

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(L) Andy Warhol, American, 1928 – 1987, Carroll Mallory, August 1972, Dye diffusion transfer print (Polaroid) 4 1/4 × 3 5/16 in. (10.8 × 8.4 cm), Gift of The Andy Warhol Foundation for the Visual Arts, Inc., 2014.4s (R) Andy Warhol, American, 1928 – 1987, Claude Picasso, August, 1972, Dye diffusion transfer print (Polaroid) 4 1/4 × 3 5/16 in. (10.8 × 8.4 cm), Gift of The Andy Warhol Foundation for the Visual Arts, Inc., 2014.4q
(L) Andy Warhol, American, 1928 – 1987, Carroll Mallory, August 1972, Dye diffusion transfer print (Polaroid) 4 1/4 × 3 5/16 in. (10.8 × 8.4 cm), Gift of The Andy Warhol Foundation for the Visual Arts, Inc., 2014.4s (R) Andy Warhol, American, 1928 – 1987, Claude Picasso, August, 1972, Dye diffusion transfer print (Polaroid) 4 1/4 × 3 5/16 in. (10.8 × 8.4 cm), Gift of The Andy Warhol Foundation for the Visual Arts, Inc., 2014.4q

January 29 - April 17 | April 23 - July 3, 2022

Due South: Ke Francis and Hoopsnake Press

Due South: Ke Francis and Hoopsnake Press is built around seven of Ke Francis’ books that exemplify his work as a narrative artist living and working in the South.

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January 22 - February 20, 2022

Mid-South Scholastic

Since 1989, the Brooks has been proud to partner with the Alliance for Young Artists & Writers, the national non-profit organization which organizes the nation’s oldest and largest student art competition, the Scholastic Art & Writing Awards, to host the regional competition and exhibition for Memphis and Mid-South area.

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Adele Ferguson, 'Pax'
Adele Ferguson, 'Pax'

October 9 – November 7, 2021

Dia de los Muertos: Student Altar Exhibition

This month-long exhibition in the education gallery features ofrendas (altars) designed by Mid-South students, a Monarch butterfly collaborative art-making activity, and stories behind some of the iconic symbols that represent this celebration of life.

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September 18, 2021 – January 9, 2022

On Christopher Street

Mark Seliger, a well-known photographer, has captured striking portraits of some of the transgender residents of New York City’s famed Christopher Street. This will be the first time this body of work will be shown in a museum, and it is the first transgender-focused art exhibition the Brooks has ever organized.

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Portrait by Mark Seliger
Portrait by Mark Seliger

On view through January 9, 2022

Mona Hatoum: Misbah

Mona Hatoum (b. 1952, Beirut, Lebanon to Palestinian parents) is considered one of the most significant artists of her generation. Hatoum's sculptures and installations often re-imagine everyday objects to engage with issues of gender, race, and conflict.

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June 5 - August 29, 2021

Persevere and Resist

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Elizabeth Catlett, 'I am the Black Woman', 1947
Elizabeth Catlett, 'I am the Black Woman', 1947

March 19, 2025 - September 7, 2025

Calida Rawles: Away with the Tides

In her first solo museum presentation, Calida Rawles envisions water as a space for Black healing. Merging hyperrealism, poetic abstraction, and water's cultural and historical symbolisms, Rawles creates unique portraits of Black bodies submerged in and interacting with bright and mysterious bodies of water.

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Calida Rawles, 'Towner for Life', 2024 acrylic on canvas 72 x 102 inches 182.9 x 259.1 cm © Calida Rawles Courtesy the artist and Lehmann Maupin, New York, Seoul, and London. Photo by Marten Elder
Calida Rawles, 'Towner for Life', 2024 acrylic on canvas 72 x 102 inches 182.9 x 259.1 cm © Calida Rawles Courtesy the artist and Lehmann Maupin, New York, Seoul, and London. Photo by Marten Elder

May 22, 2025

Suchitra Mattai: with abundance we meet

'with abundance we meet' is an installation made of ‘fruit’ ('phala' in Hindi) sculptures by the artist Suchitra Mattai that are ripe with possibilities, conjuring wombs and fertility spirits.

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Suchitra Mattai, 'phala' (fruit), 2023. 15 components comprised of vintage saris, rope, and chain, dimensions variable. Courtesy of the artist and Roberts Projects, Los Angeles, California; Photo: Robert Wedemeyer.
Suchitra Mattai, 'phala' (fruit), 2023. 15 components comprised of vintage saris, rope, and chain, dimensions variable. Courtesy of the artist and Roberts Projects, Los Angeles, California; Photo: Robert Wedemeyer.

March - December 2026

Remembering the Memphis College of Art, 1936-2020

For eighty-four years, the Memphis College of Art offered a rigorous arts education to students from across the country and around the world. Through this exhibition of ninety faculty, administrators, and graduates, 'Remembering the Memphis College of Art, 1936-2020' reflects on the school’s historical impact and celebrates its continued legacy regionally and beyond.

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Galleries

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Permanent Collections

Information about the permanent collections of the Brooks Museum

Interior with Soldiers
Provenance Research Paintings
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